Too often in these days of being compulsively with it, people avoid movies they might like to see, because they’re afraid it would be unhip to be seen at such a movie. A movie about a middle-class couple hiring a hippie chick to have their baby because the wife is sterile, indeed!Īnd yet “The Baby Maker” will appeal to many audiences, I think, because it’s fundamentally civilized, and funny, and stunningly well-acted. I mention Penny’s review, first, because I liked the writing second, because “The Baby Maker” is terribly vulnerable to her approach. You’ve also got to adopt a certain conspiratorial tone in your language. Actually, you can get quite subjective in a plot synopsis by carefully selecting what you tell and don’t tell. Penny’s critical strategy is the deadpan plot synopsis, an especially effective tactic because it appears to be objective. After Penny’s finished with “The Baby Maker” it stands exposed as a haven of middle-class values, male chauvinism, political naivete and phony hipness. The current Chicago Seed contains a devastating attack on “The Baby Maker” by Penny (nobody at the Seed has a last name except its lawyer), and it’s a review I really enjoyed reading. The Baby Maker (1970) – Barbara Hershey Film Review for Baby Maker Co-starring Scott Glenn (“The Silence of the Lambs,” “The Right Stuff”), this is the first feature by director James Bridges (“Urban Cowboy,” “The China Syndrome”). Emmy-winner and Oscar-nominee Barbara Hershey (“Portrait of a Lady,” “Hannah and Her Sisters”) plays a free spirit who agrees to bear a child for a childless couple in this early look at the phenomenon of surrogate motherhood. The Baby Maker is a 1970 American drama film directed and co-written by James Bridges and released by National General Pictures. When Tish bears the long-awaited child, the Wilcoxes pay her the balance of the money, take the child, and bid her farewell. Furthermore, she is berated by her friend Charlotte for accepting such a lifestyle, but their friendship resumes when Tish agrees to go to a demonstration against war toys. Although the household seems peaceful, Jay’s feelings for Tish grow stronger while Tish becomes resentful of Tad’s infidelity and has doubts about giving up the child to a middle-class family. Tension begins to mount between Tish and her boyfriend, Tad Jacks, and after an argument she leaves him and moves into the Wilcox home. Suzanne, who is eager to have the child, makes Tish promise to give up her hippie way of life and the use of drugs. Tish, who enjoys being pregnant, agrees to the scheme, and she and Jay go to his cabin in the mountains shortly after returning to Los Angeles, Tish learns that she is pregnant. They offer Tish a considerable sum of money if she will conceive and bear a child by Jay. Tish Gray (Barbara Hershey), a California hippie, is introduced to Suzanne and Jay Wilcox, a wealthy Beverly Hills couple who are unable to have a child.
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